|
I spent the night with a TASCAM Pocketstudio
5!
By Chris Kathman
PSW Live Sound Editor
Click
here to go directly to the page where you can download
CK's MP3 recorded on the Pocketstudio 5!
|


1 2

|

There are a number of excellent features to the Tascam
Pocketstudio 5. The size, for one, is a major selling point - it
is indeed very light and portable. The digital recordings are clean,
and the EQ and reverb work really well. Believe it or not, the mic
on the included headset delivers a surprisingly decent signal, and
the headphones sound fine, and are very comfortable.
Tascam has to know that this four-track recorder is competing against
some pretty serious laptop-oriented software that is on the market
nowadays, software which delivers master-quality audio for an increasingly
modest cost. But if your main goal is producing MP3s to put
up on the Internet, you will not have a problem with the Pocketstudio.
The only way to extract actual audio from the unit is via a 1/8-in
jack. Certainly you could then use an audio-oriented burner to make
CDs from that, or you can use the USB port on the Pocketstudio
to dump MP3s to your computer, and burn them from there. However,
sending the files from the Pocketstudio to my computer produced
some surprises for me and caused me to learn some new things about
my laptops software. I will discuss that more at the end of
this article.
I normally write songs at home on an acoustic guitar, and then go
to a friends to record them, adding other instruments on his
multitrack computer setup with Digital Performer, and for a very
reasonable price. I never enjoyed any companys four-track
cassette recorders because I have worked in professional multitrack
studios where things are, of necessity, basically linear and flexible.
I wish the Pocketstudio offered four audio outs that could be used
to dump the four tracks to another medium, and keep working with
them.
I knew that I would probably not be able to record on all four tracks
at once, but when I saw two mic inputs, I figured I could at least
run both of those at once, and record, for example, acoustic guitar
and vocal simultaneously. However, you can only arm one track at
a time.
Also, the mic inputs can only be assigned to the third and fourth
tracks, and the line inputs only to the first two. I believe that
you could bounce them internally to the other tracks, after recording
them, but I am unsure why there is a limitation in the first place.
Just to be the devils advocate, what if you are an acapella
artist, who wants to record four tracks of vocals, or an instrumentalist
who is aiming for an all-guitar recording?
But, all that aside, I decided to see what I could come up with
in one night, with minimal reference to the manual. There is a song
I wrote a number of years ago that I had been fooling around with
new intro figures for, on my bass, for the past couple of months.
In terms of telling you how to operate the Pocketstudio, the manual
does not do a bad job. I was able to navigate the functions with
only a few false starts. The combination of a thumbwheel, a center
button, a four-way rocking switch, and simple controls for paging
ahead and back, and from the song to the menu, are pretty easy to
get used to. Pressing the center button and holding it causes the
display screens backlight to come on and stay on, which is
good, but illuminating the transport keys would have been a great
bonus.
There are places to name or delete your MP3 mixes, to load and edit
songs, and also to check the remaining memory on the 32 MB Compact
Flash card that stores your musical info. There is also an excellent
function called Card Optimize that can gain you a few
extra MB by organizing the data files most efficiently.
A friend of mine who recommended that I check out the Pocketstudio
5 assured me that it had a drum machine. The good news is that it
has a MIDI module, but the sort of bad news is that
the files have four-part arrangements of songs to choose from in
different genres.
A much less memory intensive idea would have been to provide a bunch
of loops, those things that songwriters everywhere have been using
more and more to write songs for at least the last decade. I do
not understand the decision to provide full band tracks,
unless it is so that lyricists who cannot play any instruments can
write songs. I understand from the CD-ROM manual that the tracks
other than drums can be stripped away, but I did not want to go
to that much trouble. I just wanted to record my song!
|