ProSoundWeb.com - Click to return to PSW Home
 

Translate PSW!

 


Sub Snakes

Go To Page
1 2 3 4
Go To Page

I've got some questions about subsnakes in use in smaller/mid-size systems (FOH around 10K, 24 channels of main snake sends)

Are most people using subsnakes to clean up cable runs? Obviously stage plot/stage box are factors in this, but I'm thinking of getting a 4 channel sub snake up to the front of the stage for vocals, and then a 8 channel to the far side of the drums for drum mics, and other stuff on the far side from the main stage box. What do most people do?

Any ideas on where to get some cheap sub snakes? I'd like to have stage boxes, but haven't seen too many pre-made subsnakes around. Is it cheaper to make my own? Anyone got any used ones they want to unload? (20-50 feet?)
-matt

Posted by Joel Ashcraft on March 13, 2002:

Matt,
I have been from the school of thought where the more subsnakes the better.
On big stages, 40'+ wide, I use at least 3, and with approaching 40 inputs, I will use 4, maybe even 6, depending upon where my cables are going to have to be routed, depending upon risers, set stuff, etc.

For your size show (up to 24 inputs), I suggest a drum/backline snake (I havent used one with returns, but I have needed it once in a blue moon), a "downstage right" snake (assuming of course that your splitter (or snake trunk runs up the SL side), and a spare for "other" input areas. This way, you have cables that only run to areas that are not really high traffic, and that allows you to put your snake head by your amp rack, keeping your cables to the amps short, and then you have inputs on both front corners, and then in the rear with the drums and guitar amps and stuff. The extra one is for that guy who needs 6 inputs at his keyboard rig, and you dont want to have a gazillion cables going to his freekin rig, so you use the other sub there.

This is my approach. Good luck.

Joel

Posted by rick brown on March 13, 2002:

Sub snakes ARE worth using...only get an 8 ch for down stage(vox and accoustics etc), 12ch for drums, and another 12ch with a split of 6 and 6 more 25ft away for bass keys ,guitars, etc

This will keep you from using 50 million mic cables and keep it clean on stage
Using a drum loom cut to length and a little more for slack, for kick, sn ,hat,tom 1&2 and floor will cover MOST smaller gigs ( color code all your ch so you can quickly plug into sub-snake) and then if you need OH or more toms then just add seperate mic cable as needed.

We have used THIS method for years with much success as far as ant problems ...its mic cable we all gotta solder some time ( I like it) and if you COIL it ito a circle of about 2-3 ft and put a cable tie on it should not cause a mess and this will go into your mic cable box lasting for years and is a good labor saving idea if you work for the same band or not

als

Posted by David B. Little on March 13, 2002:
Most definitely. I have a similar rig with two subsnakes - 16x3x75' upstage, 12x3x40' downstage. They were originally snakes from earlier rigs that got shortened to make patch looms, hence the returns. Both terminate at my split at monitor world. The returns come in handy for wired IEMs, com drops, or whatever strange patches some of these acts can think of. Use a stage box - that fan to fan crap is for the birds - they get tangled, you have to dig through the fan and are easily damaged. I'm against the drum loom hooha unless it's a one act rig.

Handy thing about it is the ability to repatch at the split for multiple bills - saves running extra lines for the support act(s) if allow

Posted by Chris Hindle on March 13, 2002:
I usually park the main stagebox near the drum kit. I have a 35 foot 6 "send", 6 "return" that goes to the amp rack, and takes whatever 6 closest mics/di from that side It's nothing special. Fans on both ends. Mogami cable. Was a pleasure to strip and solder. Stripped back about a foot on the stagebox end, and 3 feet or so at the other end. Plenty versatile. Also made up a 6 channel 35 foot to go around to the other side of the stage, intended for the front line mics. Also fans on both ends, about a foot stripped back on both ends. Whatever works with your "standard" setup.

Also have a fan-fan 50 foot for those occasions where the main line just doesn't quite make it. I only use it about twice a year, but when I need it, it's there!
Chris.

 

 

Email this story to a friend.

Next Page

 

Community

 
 

Need more info? Ask your community!

Live Audio Board

Rec Pit

Contracting Forum

Lighting Forum

PSW Chat: Info & views from industry leaders

Ken's Links: Get where you need to go - fast!

 
     


© copyright 2008 ProSoundWeb.com
169 Beulah Street, San Francisco, CA, 94117 USA
Voice: 415 387 4009  |  Fax: 415 752 8144
Send comments about this site to webmaster@prosoundweb.com