|
Part Two: Keeping The Faith
By Nancy Coronia
An In-depth Interview With Rob Cubby Colby
|


1 2

|
Rob "Cubby" Colby believes his job is to support the
artist, but he also knows it's important to stand up for himself.
The seven years he spent with Prince
could sometimes be challenging, but that never dampened his enthusiasm
for the music or the musician. "I wasn't intimidated by Prince,
and he's a very intimidating guy. I say that only in defense of
the fact that he knows what he wants and he can figure out whether
you do or do not know what to do."
On the closing nights of Love/Sexy, his last Prince tour, Cubby
met Phil
Collins. "We were playing the Egg
Dome in Tokyo which holds almost 35,000 people. I had an Electro-Voice
manifold sound system and not very much of it. Bruce Judd, the systems
engineer, and I were drawing pictures on the train ride to Tokyo
of how we were going to stack the PA."
Cubby stayed up all night putting up the PA and when Prince arrived
in the morning, he was in a bad mood. "Brad Marsh, the drum
tech, was playing the drums. It sounded really big and powerful.
Our plan worked. We even moved stuff around the night before to
make it better. The whole band was out by me at the console listening
to the drums. Everybody was happy. Two shows left. It sounded good.
We were sold out.
Then Prince walked in, looked at me and said, "I've heard
a Japanese band sound better through a television speaker. We're
gonna spend all day tomorrow in here and get this to finally sound
good."
I had been up all night getting it perfect and it was the best
that I was going to make it and I said, "Is that right? Well,
here's the chair, here's the console. I've had enough. I've been
working my ass off to make this right for you." He turned to
his bodyguards and said, "Oh and he's got an attitude too."
And I said, "Yep, I guess I got an attitude. You go ahead and
make it the way you want it. If you want, I'll just watch what you're
doing,." So he proceeded to go in and do what he wanted to
do and then I rebuilt my mix back to the way I thought it needed
to be to get the right gain structure."
Collins happened to be in Tokyo and sat in to hear the opening
performance. He was so impressed with what he heard he got Cubby's
name and number. "Prince found out and called me up, "You
don't need to come in tomorrow. I heard it sounded really good."
"Well, thanks," I said, "but I still think it's time
to part ways. Maybe it's time for you to have someone else taking
care of this position."
.
|