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PLSN
Files: Stray Capacitance. | |
Richard Cadena discusses distortion that can be caused
by high capacitance cable. Recognizing capacitance, and avoiding the problems
it can cause. |
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Lighting
a Show | | 
Visibility, composition & mood - the ‘brighter’ side of Theatrical
Lighting. The complete A to Z on how to bring light to darkness for a stage performance…
with style.
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What
is DMX? | | Still
confused about DMX? Well, here’s the final word: communication! Why can’t we all
just get along? We can with DMX 512 standard protocol. |
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Uncle
Bill talks about WINCHES | | 
Behind, (or above), every good stage tech is a good WINCHE. Motorized winches.
Lift machines. Line shaft winches. Cable drum winches. Whatever you want to call
them, they're everywhere these days, with more coming.
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Working
LD- John Orchard
LD Andrea Boccelli | |
MAY I HAVE YOUR ATTENTION PLEASE – what you are about
to embark upon, is the second in our series profiling WORKING LDs in the industry.
Prepare yourself to be amazed, prepare yourself to be no less than dazzled! For
nowhere else will you find such strange, such remarkable specimens of human fortitude
and brilliance… I give you JOHN ORCHARD, LD Also
check out:
WORKING
LD-Dino DeRose/
LD-Widespread Panic |
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Part
1: Seven Deadly Sins of Set Design | |
Why can’t we all just get along?’ Since the inception of their “collaboration”
in the earliest days of live theater - lighting and set design have been at odds.
It’s time we developed a common language or at least an understanding, …
for the good of production companies everywhere.
Click
Here for Part 2 |
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Inside
the DMX 512 | | 
The technical aspects governing your control of light gives you a deeper understanding
of how the river of command information reaches your sea of desired effects, thus
expanding your capability to master the field of Illumination. We cannot understand
that which we cannot see. Right?
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