Jay: My editor (I assume that's what your asking about) is an IBM Windows NT platform running the DPS Velocity System.

MMZ: Ever get any RF interference in your studio gear? If so, how have you eliminated it?

Jay: Yes I have. You eliminate it with several things. First, well-shielded cables. SPEND THE MONEY! Also, place all audio cables far, far away from power cables. And, use very well put together isolated circuits.

TJ: Do you record tracks specifically for the worship services where you're tech director?

Jay: Yes, and at other places.

Too much coffee: At your current job, have you "engineered" any large projects?

Jay: I don’t do the actual engineering, but I assist in the operation and accuracy of the department. We do some larger projects, yes, such as a recent one at Central Wesleyan Church in Holland, MI.

TLC: So have you ever engineered something in the studio, it sounds great, and then you play it back through a large sound reinforcement system and it's maybe not so great? Why does this happen and how do you avoid it?

Jay: Yes. It happens because the studio listening environment is different for the environment you’re moving the recording to. There are different factors at play here. Basically there are differing opinions on what a studio control room should sound like; some want it completely flat, others want live reflections.

Jay (continued): Pretty much all agree that a proper studio environment is free from standing waves and overtones. This allows you to get an "accurate" mix. It will still sound different when you listen elsewhere, but “good” different. You must also learn the sound of your speakers and your room, anticipating what the differences will be when you leave the studio. Mastering also plays a part in that last step.

TMC: What about computer setup for recording? IBM as well?

Jay: No, we use the Pro Tools Mix Plus system, which is arguably the best computer-based system in the world, and it only runs on the Mac platform. We have a Mac G3, but are moving to a G4.

Jim: I'm looking to set up a small recording system for our parish. Where should I start? Console? What are some definite "bang for the buck" must-haves to produce voice and small musical/orchestral group recordings?