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The Nyquist Plot
By
Don Davis | |
The most informative frequency domain plot, by far, is the Nyquist
plot, Named after Harry Nyquist of Bell Telephone Laboratories, famed for his
work on feedback circuit analysis, the Nyquist plot makes visual simultaneously
the following viewpoints of the signal: - The real part
- The
imaginary part
- The magnitude
- The phase angle between the real
and imaginary parts
- The polarity of the system
- The causality or
non-causality of the time behavior
- The presence of resonant systems
- Non-signal
synchronization by frequency
The Nyquist plot can be used in sound
system work, where in acoustics the real part is particle pressure and the imaginary
part is particle velocity (near a boundary or in a standing wave) and in impedance
measurements where the real part is the resistance and the imaginary part is the
reactance.  Fig.
1 - The analytic signal di5played as a Heyser Spiral
Let’s
label some key observations to be made about the Nyquist plot of a pair of loudspeakers.
Dennis Gabor proposed the “analytic signal” which Richard Heyser developed
into what has since been named the Heyser Spiral. The Nyquist plot is the “end
view” shadow of the complex analytic signal 
Fig. 2 - The “end view” of the Heyser Spiral (Nyquist)
An
Interesting Anomaly Apparent non-causal’ signals are being
encountered more frequently these days. A non-causal signal is one that arrives
before it is sent. Impossible you say? Yes, in the real world, to the best of
our knowledge that is true. But in the world of measurements, thanks to digital
technology, we find our measurements telling us a signal is not causal Let’s
look at an example: 
Fig. 3 - ETC of a two-way loudspeaker. Using the
woofer arrival to set the reference time and measuring the full-range response
causes the Nyquist to rotate counterclockwise above crossover.
We
have a two-way loudspeaker with a crossover frequency of 2 kHz. The energy-time
curve (ETC) shows the tweeter arriving before the woofer (Fig. 3). We now choose
to call the woofer arrival the time point of reference, while attempting to measure
the full-range response. When we do this our measurement instruments will see
the tweeter energy as arriving before we sent the signal and the Nyquist will
rotate counter clockwise above crossover, indicating non-causality on the instrument,
which is not aware that the woofer arrival was chosen as the time reference. Note
that in the diagram the cursor is set at the point where the reverse rotation
begins, the cursor coordinates being indicated to the lower left of the plot.
This situation can also occur with a digital crossover net work where one frequency
range has one delay associated with it and the other frequency range still another
delay. In measuring phase response, choice of a correct origin and time is paramount
if you want a meaningful measurement of the phase response of a device rather
than a delayed measurement of the signal path. For a quick overview of the
acoustic signature from a loudspeaker array I know of no tool that is the peer
of the Nyquist plot. When large complex acoustic arrays require a rapid overview
that will allow analysis of what problems, if any, are present, the Nyquist instantly
tells which component relationships are incorrect, be it signal synchronization,
digital crossover or other delays not obvious. Also obvious are inverted polaritys,
unexpected resonances or even measurement mistakes in choosing the correct signal
origin.

The figure shows the Nyquist response of a bandpass filter (loudspeaker or other).
It consists of a number of discrete data points determined by the FFT size.
Placing the cursor on the display provides the following
for the selected data point: Frequency (Hz) Phase (Degrees) Magnitude
(dB) Real Part (Pascals) Imaginary Pan (Pascals) |
The Nyquist plot, as embodied in contemporary acoustic analyzers, usually
computes at the bottom of the screen the values for frequency, real part, imaginary
part, phase, and magnitude for a given cursor position on the screen. Moving the
cursor allows clockwise or counter clockwise frequency changes to be observed. Ron
Bennett, a number of years ago, provided me with a program that allows acquisition
of the real and imaginary part separately, i.e., acoustically as pressure and
velocity: electrically as voltage and current; impedance as real and reactive.
After acquisition it then forms a complex analytic signal from those two parts
for display. One innovative use is to see the complex signal formed by the
left ear/right ear signals using ITE microphones. What in 1928 was a truly
laborious process, is in 1998 a major convenience and an important tool. dbd |