Interview With Shure’s Michael Pettersen

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KC: Why do you think Shure has been so successful in the shift to the pro market?

Michael: We make a great product for the price, very reliable, very durable, you can depend on it to work, and people appreciate that.

We’re not necessarily the most “trendy” company around, and sometimes we might wish that to be different, but when people buy products that work for 20 or 30 or 40 years, it has a major impact. In fact, one of the reasons I came to work here was that I had a Shure microphone in the ‘60s, and not only did it work great for me, but I had a problem with it that was fixed promptly. I said, ‘gee, this must be a pretty cool company’.

The other thing is that Shure is dedicated to being honest, to giving customers the truth. The Application Engineering Department is a prime example. We stress the truth and try to guide customers to the best solution, whether it’s from us or someone else.

Everyone in the department has my complete support to tell a customer that “this is not the right tool,” or “we don’t have the right tool for you, but let me help you find someone else that does”. Customers remember that far longer and more positively than if we steered them to use something that only “kind of” works.

So we don’t try to make the sale, we try to get the right tool for the customer. You combine that with great service and product that lasts a long time and doesn’t usually cost top dollar, and you’ve got a prescription for long-term success.

One thing I can say is that in my 25 years here, never once have I been asked by management to do anything that violated my personal ethics. And that’s real important.

Good times or bad times, you’re treated very well here. Plus I get paid to do my hobby, which is not too bad either!

KC: Can you tell me about some of your favorite co-workers through the years?

Michael: Well, that’s kind of a tricky question. If you start naming people, you invariably leave someone out. But I will talk about some of the important folks who have retired.

You have to start with Mr. (S.N.) Shure, who I was fortunate enough to know and work with. He was a very, very modest man, never taking credit for a whole lot of our success. People would come up to him at trade shows, shake his hand and tell him that he makes a great microphone, and he’d deflect it, saying ‘it’s not me, it’s the people that work with me’.

He was also a very approachable guy. For example, he had an interest in the history of words like I do, and we’d exchange notes about it. There was a personal aspect to him that went throughout the company, and there was also a kind of casualness about him – he was the driving force of a large corporation known around the world, but one that is run with a ‘mom and pop’ touch.

A gentlemen I did not know, Ben Bauer, was really the first brilliant engineer at Shure, creating the first Unidyne microphone - the single element, unidirectional microphone. This was in the late ‘30s, and is still probably the single greatest microphone achievement this company has given to the world. We’re still building the Unidyne in one form or another. I didn’t know Mr. Bauer, but I know a bit about him by reading his papers that are still available here. A brilliant guy.


Mr. Seeler’s most well-known contributions, the SM57 and SM58.

Another engineer who was here for a long time, since retired and unfortunately passed away, was Ernie Seeler. He developed the Unidyne III cartridge, which is better known as the SM58 and SM57. Ernie was ‘Mr. Precision’ – he had a German background but was born in Cuba – I don’t know how that happened – but his desk was perfectly aligned, everything in his office just so. Interestingly, he created probably the most popular microphone for rock n’ roll, but he hated rock n’roll. He was a classical music fan.

Seated right next to him, like yin and yang, was Roger Anderson, another brilliant engineer, and one who was completely messy and the ‘gyro, gear-loose’ type. Roger created many of the advances we had in phono cartridges - Shure was the biggest maker of these in the ‘60s and ‘70s, and in fact, we still are to this day.

I was just in awe of these guys, working side-by-side with them, and they were amazing. Ernie would work things out with painstaking calculations and a lot of thought, and Roger was the great experimenter. They’re both very unique people that I’ll never forget.

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