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Connecting via acoustics at Clear Creek
Community Church
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Clear Creek Community Church just celebrated the opening of a new
1,000-seat auditorium-style worship space complete with specialized
acoustical and systems designs. Plans also call for future expansion
of the room to 2,200 seats.
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An artist rendering of the new Clear Creek sanctuary
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The new auditorium for the fast-growing church, located in
League City, TX was designed by PBK
Architects of nearby Houston. PBK in turn contracted Acoustic
Dimensions of Dallas to supply design work for both acoustics
and sound, video and lighting systems.
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OneSource of Houston provided the audio and video system installation,
while Stagelight handled the theatrical lighting system install.
A full list of equipment for the project is included below.
For both PBK Architects and Acoustic Dimensions the key component
of the project was having a solid understanding of the client. "Clear
Creek Community Church has clear direction on who they are and who
they are trying to reach," commented Robert Rose, the team
lead for Acoustic Dimensions. "Because they were effective
in communicating their identity to the design team, developing a
design to support their ministry was a very straightforward process."
"Our church is a community of small groups. It is very important
that people feel connected," explained Lowell Ballew, the Worship
and Arts Minister for Clear Creek. This design parameter had
a huge impact on the design of the auditorium and the shaping of
the seating area.
"Immediately we noticed the layout of the seating. You can
sit on one side of the room and see people on the other side of
the room. There is a visual connection," Ballew added.
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A look at the acoustical treatment on the back wall
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The acoustics also contributes to fostering connection within
the room. Acoustic Dimensions designed reflective surfaces
in the ceiling so that reverberant energy reflects back into
the congregation. The result is a sense of community when
people are singing and clapping.
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"Because the church uses mostly amplified music, we specified
a great deal of absorptive material on the back walls and toward
the back of the ceiling," said Ron Eligator, the lead acoustician
on the project. "However, we didn't want a room that was completely
absorptive. Too much absorption is like worshipping in a vacuum-it
feels dead.
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