| Copyright
in a Frictionless World:
Toward a Rhetoric of Responsibility
by Brendan Scott
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(Editor’s note: A few months ago, I wrote an
article about what I perceive as the hypocrisy of record execs
who get all their CDs for free from other companies, but suddenly
become indignant when a consumer downloads an mp3, ignoring the
fact that many full-length albums are sold after people check out
one pirated track.
I was surprised and gratified to be contacted by Brendan Scott,
who is a lawyer with a firm in Sydney, Australia. Mr. Scott has
written a very well researched article into the history of copyright
law, and believes that, “although promoted as being in the
interests of authors, it is designed in such a way as to be primarily
a right which benefits distributors and publishers.” I am
quoting from the introduction on the excellent site that published
his paper - it’s called First
Monday.
First Monday describes itself as a “peer-reviewed journal
on the internet.” It includes such topics as “cyborg
logs and collective stream of (de)consciousness capture for producing
attribution-free informatic content,” “electronic citizenship
and global social movements,” and “a study of Internet
usage in Nigerian universities.”
Brendan Scott has allowed PSW to excerpt a section of his paper,
and I have chosen “Issues for Copyright Going Forward.”
We are certainly experiencing a great deal of “friction”
these days, courtesy of digital technology’s ability to scan,
rip, burn, copy, transmit and market text, music, and images. You
can see the full-length version of the paper on First Monday, which
includes extensive footnotes.
Hey, it does your brain good to stop thinking about audio for a
few hours, and check this out! I recommend it highly. – C.K.)
Issues for Copyright Going Forward
As we have discussed above, the copyright law is primarily designed
to protect the publishers and distributors of copyright works. Originally,
the key purpose of the precursors of copyright law was to serve
a censorship function, so the focus on distribution was entirely
appropriate.
Even after the demise of this function, much of the pre-existing
structure was co-opted to support the new legislation protecting
publishers and, indeed, this has remained the case up until the
twentieth century. However, towards the latter half of the twentieth
century we have seen the emergence of a number of distribution mechanisms
which are "pull" technologies and which had not been previously
anticipated by the law. The most famous of these technologies is,
of course, the Internet.
On one view, the Internet is a system of "self distribution"
in which only the creators of content, the consumers of content
and the providers of telecommunications infrastructure are relevant
to the equation. From the content consumer's perspective, any distribution
or production costs over and above those imposed by the telecommunications
infrastructure provider (with perhaps some allowance for sorting
and evaluating works) are of no value, being pure inflation.
Similarly, from the content producer's perspective, if there is
an established market, then these distribution and production costs
are equally irrelevant. As a case in point, it is not unusual for
the artist of a CD to recover 10% or less of the sale price of the
CD, with the balance of the sale price going to the retailer, the
record label, producers, marketers designers the distributors of
the CD and a host of others (which are often subsidiaries of a vertically
integrated conglomerate, so profit from each of these steps is really
profit of the conglomerate).
Both the consumer and the content creator of a CD have an incentive
to pare back excess costs to a minimum. If, a consumer doesn't watch
or doesn't like the video that accompanies a song, why should they
subsidise the additional production costs which are involved in
producing that video (and which are bundled into the price of the
CD)?
That said, third party intermediaries do play substantive roles
in the production of things such as music, books and films. In particular,
they play a "gatekeeper" role by selecting and identifying
commercially viable content and giving it preferential treatment
over non-viable content. Further, they provide an administrative
function for the collection of royalties and other payments on behalf
of the author of a work. On the Internet, we see these functions
being, in part, overtaken by community-based alternatives.
For example, consider the purchase of a camera. A consumer proposing
to purchase a camera can conduct research into that purchase by
approaching a number of different camera stores seeking their opinions
and also approaching the major manufacturers of cameras within their
price range for written material and specifications on their cameras.
However, by engaging in this exercise, they are likely to discover
that the information they tend to receive is biased in favor of
the person giving the information (in all these instances, their
interest is in securing a sale), either through the overemphasis
of certain aspects of the information or through the omission of
pertinent details.
They are also likely to discover [62] that it is difficult to receive
a comparative evaluation of one brand against another. In short,
the traditional system of research doesn't provide information which
is of use to the potential purchaser.
Compare a similar research task conducted on the Internet. The potential
purchaser, assuming they have adequate internet research skills,
are likely to discover a wealth of knowledge and experience. Many
other people are likely to have asked exactly the same questions,
received a variety of responses and, what is more, will have summarized
the key issues highlighted by those responses. While some of those
responses will clearly be biased for one reason or another, they
are each biased for different reasons (rather than each being biased
in favour of securing a sale) and, as there is no sales motive to
disguise the bias, those biases are more easy to discern.
As a general statement also, information on the Internet is usually
open and honest and likely to include pertinent information relevant
to a consumer which they might not have thought of themselves. Assuming
they are confident of being able to make their own assessment as
to the credibility of the various reports available on the Internet,
ultimately making their purchase on the basis of that information
is going to lead to a result which better fits their needs. This
form of assessment goes by the name of "community rating".
Its basic premise is that the contribution of disinterested individuals
(perhaps on a massive scale) is more effective than targeted "marketing"
material propagated by those seeking to influence the ultimate purchasing
decision.
The introduction of monopoly interests in relation to information
undermines the independence of that information and, consequently,
consumer trust and confidence. This in turn increases the transaction
costs incurred by consumers for the acquisition of information.
One result of this is the implicit creation of large barriers to
entry in the information market.
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