dave: What CAD mics do you use, and why CAD?

Tim: I'm currently using M-179's, E-100's, 88’s, CM417's and 90's. To me, they are the best sounding mic out there, although I know everyone will have an opinion on that statement. But these mics are a studio quality mic that work live really REALLY well.

Moderator: Can you be more specific about "best sounding"?

Tim: Unlike some manufactures, CAD puts a lot of time and effort into the quality of their product and it shows in the end product. The mics I use were designed for extreme quality and flat response, which is something my mix requires.

Moderator: Can you provide a breakdown as to what mics you're using where?

Tim: Sure. On drums, I'm using E-100's for toms, M179x 3 for overheads, a new prototype E150 on kick , 88 top snare , NDM10 on bottom snare, CM417 on hi-hat. On the vocal end we are using a 90, machined to a barrel to fit the wireless handheld. On guitar, I use two M177’s.

dave: The prototype - is this something CAD is coming out with?

Tim: If I have anything to say about it, yes. The E150 has a bigger cap than the E100. But it's still in hush-hush stage.

Moderator: Are these stock mics, or are they customized?

Tim: T hese are basically stock mics with a few practical mods added, but anyone can get them.

Moderator: What are you doing, if anything, with mic preamps?

Tim: Believe it or not, I don't use mic pre's. However, I do use tube compressors inserted on the vocals, and that works just fine for me.

Moderator: What are you using for Usher's vocal?

Tim Lawrence: On his handheld and headset mics I'm using HHB Radius 30's. They add great warmth and grain back into carrier path, and it very defined. It actually adds breath back into a digital signal.

Moderator: Tim, have you had a chance to mix on the newer digital consoles - PM1D, Innova-SON?

Tim: No , I really haven't. I'm actually looking forward to that day. I have heard both pro's and cons about them, but only way to find out is to jump in there and give it a try.

Moderator: Tim, these next two are kind of related...

jim essex: How would you best suggest a weekend warrier soundman get a foot in the door with a regional sound company?

HaJo: I'm currently working in a big live sound company and I have problems to show what I can do, because of all the senior guys, therefore, I can't really grow (because of the politics). What do you think are the best steps for me to get out of this?

Tim: Great Questions! Jim, just keep pounding on doors, become familiar with the gear around your area, and something always breaks loose. HaJo, the toughest part about working with a big company is the waiting. Sometimes you just have to turn every possibility into a chance, whether it’s a bar band or regional or national act - you have to believe it will come around. And don’t EVER doubt your ability.

Moderator: What do you look for in a sound company?

Tim: SERVICE, SERVICE, SERVICE. Sometimes the bigger companies will shag smaller bands and productions for the bigger acts , and I understand they have to make a living too. But the act you DON"T take care of today could be your possible meal ticket next week!!

Moderator: Last question -What's your favorite room/venue, excluding of course The World (Tweeter Center) in Chicago :>)

Tim: I love the Tweeter Center( Chicago) I really do like Jones Beach, Long Island - older venue, but its a great sounding place!!

Moderator: This concludes our chat with Tim Lawrence. Tim, thanks so much for taking time out for us amidst your busy schedule at the moment.

HaJo: Thanx a lot for your answers Tim, I appreciate that you spent time for that :-)

jim essex: Thanks Tim!

Tim: Thanks guys , I hope I gave some insight to the younger guys because they are our future.