By PSW Staff • August 10, 2012 A Neumann U 87 was used on cello and many other strings, and served as the primary vocal microphone throughout the sessions. Sennheiser, in conjunction with event partner Paste Magazine, recently hosted a live broadcast/recording studio session housed in an alcove of an 18th century fortress, located on the site of this year’s Newport Folk Festival. By donning a pair of Sennheiser RS 120 wireless consumer headphones, music fans were able to experience performances from festival artists, including Of Monsters and Men, Tom Morello, Jonah Tolchin and 26 others. Wherever possible, the entire audio chain consisted of Sennheiser related technology — including microphones from subsidiary Neumann and Sennheiser, pre-amplifiers from distributed brand TRUE Systems and wireless RF technology from Sennheiser. The two-day recording session presented challenges, including a live sound stage located just 100 yards away and an extremely reflective — and somewhat leaky — recording environment.However, the wireless headphones were still able to deliver a clean and quiet performance, faithfully representing the artists’ sounds. Microphones on stage and in the room included several Neumann TLM 49s and KM 184s, two U 87s and a pair of Sennheiser e 906s. The microphones were connected to a pair of TRUE Systems Precision 8 preamplifiers, which — through a special feature on the back panel of the unit — split the signal and subsequently routed it to both a multi-track recording rig as well as a live mixer. Each of the Sennheiser wireless headphones received a live stereo mix of the multitrack recording sessions courtesy of Nashville-based engineer Steve Ledet. A Sennheiser A5000CP antenna was strategically placed in the rear of the grotto, providing a generous amount of RF coverage both inside and outside the grotto. In addition to having many pairs of wireless headphones on hand, Sennheiser set up a special VIP seating area where listeners could audition an assortment of Sennheiser’s audiophile and professional headphones, including the HD 600, HD 650, HD 700, HD 800 and the new Amperior. “Each of the performers we hosted at the Sennheiser Sound Lounge at the Paste Ruins takes an enormous amount of pride in the craftsmanship and honesty of their songs — this is of paramount importance to them,” says Tim Moore, artist relations manager, Sennheiser. “By selecting a complete signal path of Sennheiser family gear before and after the mixing console, we were able to ensure the integrity of the audio at almost every stage. As a result, the performers were able to establish a more direct and honest connection with their fans.” Singer/songwriter/guitarist Jonah Tolchin, who performed on the second day of the festival, found the Sennheiser Sound Lounge at the Paste Ruins particularly inspiring. “This is just incredible,” he states. “In this environment, with all these great mics, you are so zoned in and focused with all your heart and soul.” Clips of the performances will be made available for viewing via Sennheiser’s social media outlets over the next several weeks. Sennheiser Comments Leave a Reply Cancel reply Your email address will not be published. Required fields are marked *Comment Name * Email * Website Tagged with: Applications Concerts Headphones Microphones Processors Sennheiser · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.