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Martin Audio MLA Deployed To Deliver Controlled Reinforcement At Moonrise Festival


By PSW Staff September 12, 2017

At the top and directly above, scenes from this year's Moorrise Festival, with Martin Audio MLA arrays flying. (Credit: Anthony Washington)

MHA Audio (Hagerstown, MD) recently deployed Martin Audio MLA systems across four stages of Moonrise Festival in Baltimore to help tackle challenges of noise leakage into surrounding neighborhoods while still maintaining the sound levels demanded by artist riders as well as the expectant festival crowd.

Moonrise is an annual two-day electronic dance music (EDM) festival held at Pimlico Race Course and has been successfully running since 2014 with an average of 60,000 in attendance per year. However, the popularity of the festival and its genre of music present unique audio challenges given the venue’s close proximity to surrounding neighborhoods.

For the 2017 festival, the event’s organizers were tasked with developing a plan to limit noise nuisance to the residential communities around Pimlico Race Course, while still maintaining the quality that the festival has come to be known for.

The festival operates under three strict sound level criteria: levels at the perimeter must not exceed 85 dB (C LAeq); levels in residential areas must conform to the Baltimore city code of 5 dB (C LAeq) above ambient noise level; and finally, sound levels must be capable of 105 dB (C) inside the venue in order to meet artist rider requirements. In order to monitor sound levels, twelve SPL meters were set up, eight within the concourse and four within key residential zones.

EDM music festivals require the most subsonic frequencies and among the highest sound levels of any live event. In order to provide the proper customer experience inside the venue, while at the same time limiting sound levels outside the venue as much as possible, a new approach to the sound system design and site layout was implemented this year.

Organizers approached Mike Scarfe, owner of MHA Audio, as they were aware of the success of MLA at other festival sites, and he was confident of achieving the necessary results: “I was contacted back in May and was sent the site plans, noise restrictions and where the majority of the sound complaints had been generated the year before.

“Based upon my previous experience and discussions with the Martin Audio factory in England, I was confident that system designs primarily combining MLA multi-cellular speaker arrays with an MLX cardioid subwoofer package would meet all the requirements.”

A cardioid subwoofer configuration was deployed with some subtle variation on all four stages. In a typical subwoofer configuration bass frequencies are omnidirectional. No matter where the subwoofers are placed, the lowest sounds will always go towards the concert perimeter as much as they would go towards the audience. In an MLX cardioid subwoofer configuration, multiple subwoofers use careful spacing and digital signal processing to phase cancel frequencies to the sides and behind the speakers, allowing more control. Because of this capability, all four stages were able to be aimed away from the neighborhoods of Mt.Washington and Cylburn for this year’s festival.

Multi-cellular arrays differ from normal line arrays by combining many smaller speaker elements and advanced digital algorithms to provide custom control and even coverage exactly where desired, and virtually eliminate unwanted coverage in sensitive areas.

Scarfe comments, “MLA is unique. It’s still the only system around that can optimize multiple sonic goals and truly deliver the sound across the audience required for any space, while mitigating sound leakage. Utilizing a multi-cellular array eliminates all but the loudest and lowest frequencies from leaving the concert area.”

Within the Pimlico Race Course, Moonrise festival featured four stages, two main stages – Stellar and Lunar – as well as the 300-foot long Solar Dance Tent and Celestial Garden Stage.

The equipment list was extensive: Stellar comprised two main hangs of 12 MLA each side with 36 MLX subwoofers; Lunar stage featured 24 MLA and 24 MLX; 20 MLA Compact and 24 MLX were on Solar; and, finally, 20 W8LC line array elements and 24 WS218X subwoofers on Celestial.

To support the event, MHA called upon fellow MLA network partners, OSA International, which helped supply and manage the Stellar stage. Jim Risgin, vice president of OSA, notes, “Martin Audio’s MLA system is the best choice for controlling sound in live events, especially in a situation like Moonrise that needs to decouple the festival from its surroundings. Festivals can lend a positive impact to local economies, but for them to be viable everyone from festival-goers to residents and from the planners to the city and local businesses need to be catered for appropriately and MLA solves the conundrum when dealing with sound leakage.”

According to audio engineer Matthew Bittman, who provided analysis reports for Baltimore City Council: “The result of the new system design and layout was in total compliance with all sound objectives and restrictions for the 2017 festival. At no time did the perimeter approach the 85 dB (C LAeq) limit, nor did any neighborhoods register 5 dB (C LAeq) above ambient readings from Friday, prior to the festival’s opening. In addition, most of the complaints from the Mt. Washington and Cylburn neighborhoods were eliminated, and no complaints from Mt. Sinai hospital were received this year.

“These successes can be attributed to the new sound system, SPL monitoring system, and the re-orientation of the stages this year. It’s my clear recommendation that for next year both cardioid subwoofer and multi-cellular array technology should be used in order to remain within legal compliance.”

Martin Audio
MHA Audio
OSA International

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