Production Sound Mixer Bud Raymand Chooses Lectrosonics Digital Hybrid Wireless

Deploys VR FIELD battery powered, modular receiver system stocked with six VRS receiver modules and a VRMWB Venue receiver system

By PSW Staff October 1, 2012

Location sound pro Bud Raymond with some of the Lectrosonics wireless gear he regularly deploys

Bud Raymond, a location sound professional who works in TV and film, has been utilizing Digital Hybrid Wireless technology from Lectrosonics on a wide range of recent projects.

Raymond got his start in film work as a utility sound technician and boom operator roughly 12 years ago, and for the past three years, he’s been working as a sound mixer for TV and film and counts his contributions to the comedy film A.C.O.D. (Adult Children of Divorce) and Lifetime TV’s Drop Dead Diva among his most notable credits.

His most recent project was for an independent film shot in Atlanta, GA called Plus One.

For all of these applications, Raymond utilizes a Lectrosonics VR FIELD battery powered, modular receiver system stocked with six VRS receiver modules and a VRMWB Venue receiver system with three VRT receiver modules are always close by.

His transmitters include three Lectrosonics UM450 beltpack units, three UM400a beltpack transmitters, one SM super-miniature beltpack transmitter, and an SMV super-miniature beltpack transmitter.

He also notes that he’s become very fond of Ambient Recording’s iPhone app called Lectromote for use with his SM series transmitters, “I love having the ability to adjust levels on my SM transmitters. It’s really handy and I use this feature frequently.”

According to Raymond, “Every film I have ever worked on, starting in my days as a utility sound technician, has been done with Lectrosonics. After 12 years of use, I have a comfort level with the gear that I simply don’t have with any other equipment.  And despite the changes the various products have gone through over the years, there’s never a steep learning curve with the newest generation products.

“Fidelity and sound quality are the most important factors. Lectrosonics gear sounds fantastic. There’s none of the disturbing audible artifacts that are frequently encountered with wireless systems that use compandors. The second most important feature is their strength and build quality. Wireless transmitters go through a ton of abuse on a film set and they are frequently handled by less than careful actors.

“Equally important is the ease with which I’m able to identify and lock down available frequencies. Being able to surf the channels for open RF space is an absolute necessity these days and Lectrosonics makes this process quick and easy.”

Lectrosonics build quality came to the forefront of Raymond’s attention during the filming of Plus One. “We had a dialogue scene where the sprinklers went off during a party inside a house,” he explained, “and I was concerned about how we were going to record the dialogue.  I knew the SM’s are water resistant, so I combined them with a Countryman B6 waterproof lavaliere mic in hopes that we might be able to pull the scene off.  We ended up shooting that scene for two days. During this time, I wrapped the SM in some extra latex protection to be safe, and it worked flawlessly.”



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