By John Eargle & Chris Foreman • February 23, 2017 Audio signals are, of course, speech and music, and in this article we will examine the nature of those signals in terms of their requirements in bandwidth, dynamic range and normal operating levels. The nature of peak and average levels of music and speech will be discussed. In addition, we’ll look at the standard methods of dealing with signal peaks and required shifts in signal operating levels. Audio Spectra The data of Figure 1 shows the approximate limits of bandwidth and dynamic range of music and speech signals as normally perceived in concert halls and in face-to-face communication. The outer limit indicates the maximum envelope of audible sound for young listeners with normal hearing. Music occupies a more limited range, especially at higher frequencies. And amplified speech occupies a still smaller range. Figure 1: Normal limits of hearing, music and speech. If we were to analyze cumulative speech signals using an octave-band analyzer we would find that a normal adult male speech spectrum would look like that shown in Figure 2. The speech power spectrum has a maximum value in the 250-octave band and falls off both above and below that band. In the range above 1 kHz the falloff is approximately 6 dB per octave. Figure 2: Long-term octave-wide power spectrum for male speech. The long-term octave-wide power spectra of classical and rock music are shown in Figure 3. Note that the spectrum of classical music is similar to that of speech at middle and higher frequencies. Figure 3: Long-term octave-wide power spectra for classical and rock music. OCTAVE BANDWIDTH, SPEECH INTELLIGIBILITY Quite separate from the normal power spectrum of speech is the octave-band contribution to speech intelligibility, as shown in Figure 4. Speech does not have to sound natural in order to be intelligible, as we all know from using the telephone, where bandwidth is limited more or less to 300 Hz to 3 kHz. Figure 4: Octave band contributions to speech intelligibility. As we can see in the figure, the two octaves between 1 kHz and 4 kHz are dominant, and this is why, in very noisy listening environments, sound reinforcement systems are often band-limited to this range. Ideally, we would like for reproduced or reinforced speech to sound both natural and intelligible, and this is certainly possible in reasonably quiet environments. Read the rest of this post 1 2 3 4 5 Tagged with: Analysis Chris Foreman Digital John Eargle Loudspeakers Measurement · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.