Sonic Illusions: Creating “Mood” In Recording Mixes
Working to build the “sonic illusions” that help take a song to the next level…
Working to build the “sonic illusions” that help take a song to the next level…
A range of tips and approaches for making quality recordings with eight channels or less.
Most engineers have their own systematic approach to their craft, with the end goal of creating specific illusions. Here’s the way the author typically goes about it…
In the beginning there was no recorded music, then limited recording capability, and things have taken off from there in making a significant impact on how music is made.
Upsides and downsides to both methods, as well as context of when to select one or the other…
We work with sound. We work with music. We work with feelings. We must arrive in the musical moment.
Getting “back to basics” on setting up compressors, gates and additional effects processors.
Sometimes assumptions regarding traditional instrument roles can limit your ability to emphasize what should be strong in a song…
A brief and useful (but by no means comprehensive) look at some key developments along the path to modern desktop recording.
The many aspects of getting all the parts assembled correctly in the pursuit of great music.
Every process a sound goes through will change the tone of the sound, even if the process is a little bit of gain change…
Some sage counsel from a pianist leads to a whole new approach in miking the instrument…
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