Church Sound Files: Who Will Train The Tech Crew?
Obviously, training is necessary for a worship tech team, however with whom does the responsibility lie?
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One of the most discussed topics in the world of church sound and A/V is training. 

Integrators are installing more sophisticated and complex systems as many churches are incorporating A/V and production into their weekly services.

Churches spending big dollars on these installs are expecting big results. 

The problem rears it ugly head as volunteers will little or no training try to operate these highly technical systems.

Whose Problem is it?
The technical advancements that have happened in the church market over the last 20 years have been astounding. 

The average church has gone for a 6-8 channel mixer to 32 channels and from maybe 1 wireless lav to systems of 8 or more.  The most impacting and profound change that have driven this have been the move from piano, organ and a single “minister of music” leading worship to contemporary worship. 

Today at a typical worship service it is common to find a worship team consisting of 4 or more vocalists, worship leader, guitars (electric, acoustic and bass), keyboards, piano, and drums.  This could also include a flute player, violinist, and even a brass section. 

Yes the typical worship has changed.  Now also add in to this the drama that takes place with 4 -5 actors and numerous sound effects.  At time church looks and feels like a cross between Broadway, touring concert and motivational seminar. 

I am not going to go into on a dialogue as to what is proper and appropriate.  That is for each congregation to decide and choose based on their mission and calling. 

The point that is being made is that in a short 20 years the church now has an expectation placed on it to provide relevant, entertaining, uplifting preplanned and excellent programming. 

The A/V industry has not necessarily had a great track record on training the end-user.  In fact it does not even have a great track record of training its own people.  Up until recent years and the attempt at NICET certification and now C-EST training the industry was primarily made up of home-grown, self-taught personnel. 

I would even argue that it is still that way as many integrators do not take advantage of the training offered by Industry associations like NSCA. 

In addition often the integrators that are installing systems into churches that are doing production have had no experience in what the demands of a production orientated church service is.

A friend of mine who has been a worship leader at churches that are very production orientated and have had millions of dollars of technical equipment stated “it (mixing for church) is not like mixing for a 2 hour rock concert.”

“You have a worship team, band, sometimes orchestra, the spoken word, video elements, lots of transitions, drama, loud moments, quiet moments, even silence….. and then to top it off you have unpaid volunteers who are the talent on the stage.”

I would add to that in most cases you also have an unpaid volunteer at the mix position.


Comments (13) Most recent displayed first | All comments in chronological order
Posted by juliarobert  on  09/22/11  at  02:43 AM
it is true, but it’s also true that if your stress level goes up when you walk into that sanctuary, you’re better off leaving it all behind. That’s not what serving is about. testking mcsa/70-158/70-162/70-169/70-177/70-178/70-181/70-235/
Posted by ali503  on  08/26/11  at  02:11 AM
Attitude is always pleasant to enjoy the fruits of our labours, of course. Sometimes, however, it seems that whatever we do, it's just not enough to be able to afford that new car or that foreign holiday. So, what do we usually do then? We work harder, longer; we increase the stress on our minds and bodies; we spend less time with our families and friends; we become more irascible and less likeable people.

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Posted by brad000123  on  06/24/11  at  01:58 AM
I’m afraid this article didn’t illuminate much - other than the name of the hall, and the name of the final selection.

“Many floor monitors perform well when an artist stands at a microphone, but not when the artist sits down. Our waveguide does not have this problem.”

How exactly does that affect the monitor’s performance? Is it optimized for the sitting position?

And do “nose flutes from Borneo” sound better through this monitor? If so, why?

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Posted by brad000123  on  06/08/11  at  11:38 PM
Be careful here. This really needs to be done professionaly if you want to avoid over-treatment. I have a full on stage acoustic treatment that we did by ourselves, and our sanctuary has concrete block walls. Just the opposite of your problem, we have so much sound damping material on stage (carpet, wall treatments, etc.) that a lot of the sound coming from the monitors gets absorbed by the stage floor and stage walls. My up front vocalists are getting more reverb off the sanctuary back wall than they are getting from the monitors right in front of them. If I get the monitors loud enough to overcome this, then I end up with muddy, barrel sounding lows bleeding off into the crowd. I’m sure we should get an acoustic treatment to the sanctuary to help this. I’m just saying, don’t overdo it if you’re doing it on your own. You can buy enough acoustic damping material to actually kill a good natural reverb that you need on stage in order to create fill for your vocalists and musicians.

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Posted by biton walstra  on  10/03/10  at  04:53 PM
hi gary,

thanks to bring this subject up as this is what i do in my church; training people to do the sound, microphone technic, sermon recording etc.

i'm a sound engineer since 1978 and did lots of different things in sound, well i can say every thing :)

so now i'm training people and hoop that when i get some more spare time going to train people from other churches to.

many thanks,

biton


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