Sign up for ProSoundWeb newsletters
Subscribe today!

Video: Setting Microphone Polarity For Live Sound With Dave Rat
Live sound veteran Dave Rat takes us through setting the phase for sound reinforcement microphones in this 3 part video series.
+- Print Email Share Comments (1) RSS RSS

From Dave Rat of Rat Sound, this 3 part series showcases the techniques previously discussed in his article Not So Mysterious: Using Polarity As Another Tool For Optimizing Drum Sound.

Part 1 of the video is embedded below, as well as links to part 2 and Part 3.


View Part 1, Part 2, or Part 3.

With Live Sound, You Can Make Anyone Sound Good

A free subscription to Live Sound International is your key to successful sound management on any scale — from a single microphone to a stadium concert. Written by professionals for professionals, each issue delivers essential information on the latest products specs, technologies, practices and theory.
Whether you’re a house monitor engineer, technical director, system technician, sound company owner, installer or consultant, Live Sound International is the best source to keep you tuned in to the latest pro audio world. Subscribe today…it’s FREE!!

Comment (1)
Posted by KM  on  10/24/11  at  04:31 PM
Nice simplified view. It's simplistically wrong though, unless your your drum fill is exactly the same distance as the microphone is from the kick drum skin.
Commenting is not available in this weblog entry.