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The Who Reign O’er Quadrophenia With DiGiCo
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The Who’s 1973 rock opera Quadrophenia—which sets the tale of teen Jimmy Cooper amidst the global sociocultural upheaval and psychological angst of the times and the rivalry between Britain’s mods and rockers—has been reprised in a multimedia display on the band’s latest outing.

The 37 date tour, which began in November and runs through the end of February, celebrates the four-decade anniversary of the album’s release and marks the band’s first major North American tour in four years.

The Quadrophenia tour reunites the band with production partners Eighth Day Sound, who have worked with the iconic rockers on their last three major tours.

This time out they’re carrying a pair of DiGiCo SD7 desks (each running the latest MACH III software) for FOH and band monitors, plus an SD-Rack at FOH and a d&b audiotechnik J-Series PA. The audio crew is comprised of longtime Who FOH engineer Robert Collins, Simon Higgs on monitors with support from Eighth Day’s Senior Audio Engineer Mark Brnich, and sound techs Drew Marbar and Carl Popek.

The tour also reunites long-departed drummer Keith Moon and bassist John Entwistle, who make cameo appearances, joining remaining original members Pete Townshend and Roger Daltrey. Entwistle’s virtuosity and famous bass solo on “5:15” are showcased in live footage shot at the Royal Albert Hall in 2000, which streams onscreen.

They also pay tribute to the late Keith Moon; their performance of “Bell Boy” incorporates video footage of a 1974 performance, with Moon’s vocals dubbed in from the LP (one of the only times in Who history his vocals were heard on an album).

DiGiCo


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