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The Craft Of IEM Mixing
Guidelines that foster quality results and happy artists. -
My Big Stupid Recording Failure
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Using Gain Structure Tailoring To Optimize Overall…
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In Profile: Kevin Margolin & Atomic Professional…
5) When mixing a show you…
—Lean over the console constantly turning knobs and must not be disturbed - 5 points
—Dial up the mix, hit your cues and make minor adjustments during the show - 1 point
—Drink beer and hang out with your friends - 6 points
—Watch the band intently because you are a monitor engineer - 0 points
6) A friend once told me “when mixing, never face an audience of 10,000 people without a beer and a cigarette”, his advice means…
—You should take up smoking and drinking while you work - 2 points
—Mix with your feet - 4 points
—Never panic, a relaxed and confident engineer will mix a better show - 1 point
—May as well enjoy yourself because the band can’t hear your mix or see you anyway - 6 points
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7) Before your show starts you…
—Hang with your friends and drink beer - 6 points
—Do a quick check to make sure all is in order - 1 point
—Change into your “show clothes” - 2 points
—Turn everything up a bit, just in case - 7 points
—All of the above - 0 points
8) Feedback from stage…
—Usually builds quicker and more aggressively than feedback from the mains - 5 points
—Is the only place it comes from - 3 points
—Is the only chance for the monitor engineer to get in a “solo” - 2 points
9) Studio gear is better than live sound gear because…
—It usually costs more, does less and takes up more space in the rack - 5 points
—Is better designed because live gear manufacturers do not know the “studio secret design techniques” - 7 points
—Is called studio gear because it is big heavy and wastes space, if it was small, light and compact, it would be “live gear” - 6 points
—All of the above - 0 points
10) Recent breakthroughs in bass DI technology has increased the size and cost of the bass DI five-fold. These advances are…
—New electronics designs and technologies - 4 points
—Utilizing the same technology that makes compressors large - 0 points
—Impossible to actually hear but they look cool - 2 points
—Awesome, who makes them? - 7 points
11) Having a tall sound riser is important because…
—It is my sound stage, baby! - 2 points
—It is easier to scan the audience for a date - 6 points
—It is important to hear the sound way up high above the heads of the people you are mixing for, even if it is totally different that what the audience hears - 4 points
—It is the way it is done - 3 points
—It actually may not be the best idea - 1 point
what did you do today?", "Already smarter than Bush", "I just wanted a back rub" etc. There are funny clothes available for the father of the child too, with funny inscriptions such as "See how my boys swim,” "Man behind the belly"; "My pregnant wife scares me" etc.
Line arrays are for lazy people who can't align a point-source system. Horn-loaded systems still sound better with 1/10 the power. And, I thank anyone who enforces a reasonable SPL limit.
Yes, the new digital consoles are small and light. They sound small and light as well.
BTW: What's wrong with having a regular club gig when you're 50? For me it beats the heck out of driving a truck on three hours' sleep just to deafen 50,000 screaming children.