Sign up for ProSoundWeb newsletters
Subscribe today!

Santana Bassist Benny Rietveld Lights Up Vegas With Radial Firefly
+- Print Email Share RSS RSS

Almost 24 years ago bassist Benny Rietveld ended his tenure with Miles Davis and made the move to join team Carlos Santana. At the time of the move it was unlikely Rietveld knew how Santana would reignite his own career, garner mass appeal on popular radio and clean up at the Grammys with the “Supernatural” project.

Rietveld took a chance, put in almost a decade of commitment to Santana (prior to “Supernatural”) and now enjoys a career so diverse it satisfies his many and varied interests. He also serves as musical director for Santana.

Rietveld currently travels regularly between his home in Hawaii and Las Vegas (for performances with Santana) and also performing solo shows that feature, in his own words, “my strange blend of jazz, rock and cabaret” in between recording a special Santana album that features Latin American artists exclusively.

“The great thing about being in this band is that Carlos’ ethos is one of complete surrender to the moment!” Rietveld explains. “It’s all about 100 percent passion and energy, and that’s the most challenging of all.”

One challenge Rietveld surrendered to was a recent switch of Radial Engineering DI boxes for use live and in the studio.

“I experienced the (Radial) Firefly on some Santana recording sessions recently, and was pretty amazed. I had to get my own immediately!” he adds. “The sound I got was so musical and warm, it was a joy to play through.  Too much of a joy, in fact. 

“The great sound helped me to get tracks quicker, and so I didn’t get to play as much as I wanted to. Bill Malina was the engineer, and it was his. He said he loved it so much he had to pay some exorbitant fee to get it shipped overnight and drive to some post office so he could have it for that session.”

“And we didn’t even really play with any of the settings, it just sounded good.  I know there’s a bunch of other adjustments you can make, with that “drag” knob, so I can’t wait to be able to experiment even more. Live it makes a great A/B box between my active and passive basses, since the input level is adjustable.  So it worked out great for many things,” Rietveld concludes.

Radial Engineering


Commenting is not available in this weblog entry.





Sponsored Links