Pete’s Place & Orphan Audio Team Up To Bring Back Electrodyne In 500 Series Form
"Electrodyne was one of the most significant console brands from the '60s and '70s, used by everyone from Capitol and Motown to the major broadcast networks, so we're very pleased to have a hand in its return." - Lisa Montessi, Pete's Place Audio

December 22, 2009, by PSW Staff

electrodyne

The recent launch of the Electrodyne 501 discrete two-stage studio preamp and 511 two-band inductor EQ are the first results of a joint venture between Orphan Audio, owner of the Electrodyne name and its intellectual property, and Pete’s Place Audio, which will manufacture, market and sell the products.

“Electrodyne was one of the most significant console brands from the ‘60s and ‘70s, used by everyone from Capitol and Motown to the major broadcast networks, so we’re very pleased to have a hand in its return,” says Pete’s Place Audio President Lisa Montessi.

“This, of course, is only possible due to Ken Hirsch’s (Orphan Audio founder and designer) passion for the brand and meticulous dedication to preserving the sonic authenticity of the original products.”

The Electrodyne 501 is a two-stage, discrete transistor, transformer-coupled preamp with active DI based primarily on the modules found in the classic 1608 console.

Each amp stage is individually optimized for peak performance using detailed Electrodyne factory engineering notes and select high performance components identical to the originals.

In fact, the 501’s transformers are made by Electrodyne’s original supplier to exacting factory specifications.

Electrodyne 501

The new preamp’s active DI circuit presents an almost immeasurable load (over six megohms) to sensitive musical instrument outputs allowing incredibly accurate capture of the instrument’s true tone.

Further, the output of the DI circuit is designed to directly connect and interact with the mic input transformer to permit an extremely broad spectrum of tonal options.

The faceplate of the Electrodyne 501 features a large rotary gain control offering up to 68 dB of gain - adjustable over 50 dB in 2 dB steps with two ranges via a 20 dB pad switch - and a smaller output level pot infinitely adjustable from 0 (off) to +6 dB over unity.

Additional switches for impedance selection (50 or 200 ohms), phase reverse, +48-volt phantom power and DI (with 1/4-inch input jack) are also present.

A clip LED that monitors all three amp stages and illuminates when any stage is 3 dB from clipping.

The Electrodyne 511 is a classic two-band, discrete transistor, reciprocal, active inductor-based equalizer using late-‘60s/early-‘70s design technology.

As with the 501, the 511’s custom inductors and output transformer are made by Electrodyne’s original provider to strict factory tolerances as small as two percent.

This affords a consistent EQ performance and repeatability from channel to channel that was simply not possible in the 1960s.

Smooth performance and EQ response from minimum to maximum gain at all frequencies provides unusually broad sonic and tonal options not experienced since the 1970s.

The module’s faceplate sports twin large rotary EQ controls each offering +/-12 dB of boost and cut with four selectable frequencies per band (LF: 40, 100, 250 and 500 Hz/HF: 1.5, 3, 5 and 10 kHz).

Shelving is available on all frequencies, with peaking offered at 250 and 500 Hz in the LF band and 1.5, 3 and 5kHz in the HF band. An EQ in/out switch with accompanying LED rounds out the front panel feature set.

Electrodyne 511

Both the 501 and 511 deliver a maximum output of almost +30 dBm into 600 ohms paired with extremely low distortion specs, high signal-to-noise, and wide dynamic range.

According to Orphan Audio’s Ken Hirsch, who headed up the design of the new modules, the Electrodyne 501 and 511 truly live up to their esteemed pedigree, even in the eyes—and ears—of their potentially harshest critics.

“We purposely put our prototypes into the hands of a number of engineers who own lots of vintage Electrodyne gear, use it every day, and truly consider themselves experts on it,” he says.

“And the consensus from even the biggest skeptics was that we absolutely nailed it. Many of them didn’t believe we’d be able to preserve everything that they loved about the sound of the vintage pieces while improving noise specs, consistency and reliability, but we were told across the board that we pulled it off, which is personally very rewarding.”

Already currently available, the Electrodyne 501 preamp carries a price of $895 (USD) while pricing for the 511 equalizer is set at $1,050.

Pete’s Place Audio Website
Orphan Audio Website



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Pete’s Place & Orphan Audio Team Up To Bring Back Electrodyne In 500 Series Form
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