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Microfiles: Univox DF-14B, A Smooth (Looking) Operator
“Compare its quality…its good looks…” -
Top Concerns Faced By Churches When Purchasing…
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In the Studio: Timing Your Effects To The Song
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The Eight Prime Factors That Determine The Sonic…
After a five-year hiatus, the long-running quartet Phish reformed earlier this year, culminating in a new release (“Joy”) and subsequent 27-date national tour.
During the first leg of the tour, FOH engineer, Garry Brown made the decision to switch mid-stream to a DiGiCo SD7. After an exhaustive A/B comparison of his current console and the DiGiCo SD7, he decided to move to the SD7.
Aside from a brief outing with the band Third Day in 2004 on a DiGiCo D5, this was Brown’s first extensive hands-on experience with a DiGiCo console.
The national tour included headline spots at the Bonnaroo Music Festival, a four-night run at Red Rocks Amphitheatre in Denver and a prime spot at “Festival 8” where the band revived two of its most storied traditions: blending a weekend-long campout with its once-regular Halloween gig.
see this page for a whole list of people who are crazy about the band and yet incredibly unhappy with the current mix.
What is so hard? I mean, they have had great sound for years. see any live phish release before you started mixing them.
You would think you could figure out how to recreate that... i mean anything would be better than the current mix. I consistently have checked out pretty much each livephish from this tour and have hated the mix on each one.
PLEASE FIX THIS!!!!