Sign up for ProSoundWeb newsletters
Subscribe today!

Forums Presented By: 
In The Studio: Reverb Vs Delay
How do you pick between the two?
+- Print Email Share Comments (8) RSS RSS

This article is provided by Home Studio Corner.

 
When I say reverb what comes to mind? How about delay?

For a lot of people who are just starting out with recording and mixing, they may think that reverb is that awesome plug-in you use to make everything sound like it’s in a cathedral. And when they think of delay you may think of The Edge from U2.

The truth is, there is SO MUCH you can do with reverb and delay to enhance your mixes, and the most effective ways are usually the most subtle. I don’t use huge cathedrals and dotted eighth-note delays all the time, but I do use both reverb and delay plugins on almost every mix I do.

How do you pick between the two?

Too Much Of A Good Thing
I’ve said this before, one of the sure signs of an amateur mix is too much reverb. The same is true for delay, or really any effect. You get so excited about this new plugin, and it sounds SO good in your ears that you don’t realize that your entire rock mix is drowning in a huge hall reverb.

Subtlety is your friend. A good rule of thumb for dealing with reverb and delay? If it’s obviously there, you probably used too much. Of course you want people to hear it, but you don’t want it to be so loud that it’s distracting. It can be a tough balance.

There are times where a big huge delay or reverb is perfectly appropriate, but for the most part you want to keep it simple, keep it subtle.

Reach For Reverb First
If you’re debating whether to use reverb or delay in your mix, reach for the reverb first. And don’t go crazy with a bunch of different reverbs. You probably don’t need a separate reverb for drums, vocals, guitars, and keys.

Here’s what I do. I’ll set up a single “Large Room”-style reverb and I’ll sometimes set up a second reverb for my drums (depending on how much I like the sound of the room mics).

The job of the drum reverb is to be my room sound. Room mics sometimes don’t cut it. Or maybe you record drums in a small room, but you want them to sound like they were recorded in a bigger room. That’s how I use reverb for drums. I want it to sound like a pair of room mics in a nice big studio. So I send a small amount of the snare, toms, and sometimes the overheads to a dedicated drum reverb. The same rule applies. If the reverb is obvious, I turn it down.


Comments (8) Most recent displayed first | All comments in chronological order
Posted by Amir  on  12/01/11  at  12:12 AM
I found it really informational and useful.Thanks a lot foe sharing such an interesting and meaningful article. dumps exin / dumps hp0-d07 / latest hp0-s26 dumps / hp braindumps / ibm exam dumps / icnd latest dumps / isc dump / latest jk0-016 dumps /
Posted by John lardinois  on  11/16/11  at  08:06 PM
I actually only use lexicon verbs on solos and duets for two reasons, one, theyre f*king beautiful for that sort of thing, two I feel they are too thick for a large mix. Small mixes are ok. I like the bricasti m7 for large mixes.
Posted by Cagey-B  on  11/16/11  at  06:43 PM
I agree to a large extent with keeping the reverb subtle; I mix in a 2000-seat room that's very dry, and a little reverb always helps. I don't agree with no kick and bass in the reverb bus...it strikes me as false-sounding if those are totally dry. Though I use an Avid Venue, I mostly pass on the plugverbs in favor of my trusty Lexicon 960L. I send & return AES, and though the 960's MIDI implementation is cumbersome, it's helpful on production shows using snapshots to call up that "Ave Maria" verb on the fly. The noticeable verbs are usually for special applications.
Posted by Travis Medlin  on  11/15/11  at  10:30 AM
Nice article buddy! Long time no see!
Posted by joeycola  on  10/27/11  at  01:56 PM
TMI! TMI!!

Just kidding. Will definitely dial these in and see what happens.


+ View all comments on this article

Commenting is not available in this weblog entry.